 |
|
 |
 |
|
HOME > ÅëÀϱ³À° > ÅëÀÏÆ÷½ºÅÍÀü½Ã°ü |
|
|
 |
|
|
 |
|
|
 |
|
öÁ¶¸Á |
Å©¸®½ºÆ¼¾È ¸°µ¥¸¸ 1982³â ¹Ù¼¿ Ãâ»ý ¿À½º³ªºê·çÅ© ´ëÇÐ ¶óƾ¾î ¹× ¿¹¼ú ±³À° Àü°ø |
|
|
|
Æ÷½ºÅÍÀÇ Áß¿äÇÑ ¾Ï½Ã·Î½á öÁ¶¸ÁÀº ¿µÅä »Ó¸¸ ¾Æ´Ï¶ó µ¿µ¶°ú ¼µ¶ »çÀÌÀÇ »çȸÀû °æ°èÀÌ´Ù. öÁ¶¸Á µÚ¿¡ ÆÄ¶õ ÇÏ´ÃÀÌ °¡¸®Å°´Â °ÍÀº À庮ÀÇ ºØ±«¸¦ ÅëÇØ ÀÚÀ¯°¡ ³ªÅ¸³ª°Ô µÆ´Ù´Â °ÍÀÌ´Ù. ¸Á°¡Áø öÁ¶¸Á¿¡ ÀÖ´Â ¡°grenzenlos(boundless, °æ°è°¡ ¾ø´Â)¡±´Â °æ°è¡¯(bound)¡¯°¡ Àüº¸´Ù ¡®ÁÙ¾î(less)¡¯ °¡°í ÀÖ´Â ÀÇ¹Ì ¶ÇÇÑ ÀÖ´Ù. |
|
|
 |
Chain-link fence |
Christian Lindemann, born in 1982 in Barßel (West), Latin and Art at the University of Osnabrück. |
|
|
|
Christian Lindemann, born in 1982 in Bar©¬el (West), Latin and Art at the University of Osnabruck.
Being the central metaphor of the poster the chain-link fence is a symbol for the territorial as well as the social border in between the people from East and West. As indicated by the blue sky behind the fence, primary through the collapse of the Wall the freedom became visible. The adjustment of ¡°grenzenlos¡± (boundless) into the broken fence shall implicate by using a wordplay that the ¡°bounds¡± are ¡°less¡± than before.
|
|
|
|
 |
|