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ÀÛ°¡´Â °­ÇÑ ¾î±¸¸¦ ÀÌ¿ëÇØ º®À» ȰÀڷΠǥÇöÇß´Ù. (»ç¶÷µéÀº ³Ê¹« ¸¹Àº º®À» Áþ°í ³Ê¹« ÀûÀº ´Ù¸®¸¦ ¸¸µç´Ù) ȰÀÚ´Â »ç¶÷µéÀÇ ¸¶À½À» »ç·ÎÀâ°í ÀÖ´Â °¡°øÀÇ º®Ã³·³ Çü»óÈ­µÇ¾î ÀÖ´Ù. ÁøÂ¥ º®Àº ÈѼյǾúÁö¸¸ »ç¶÷µéÀº ¿©ÀüÈ÷ Æí°ß¿¡ »ç·ÎÀâÇô ÀÖ°í ¼±ÀÔ°ßÀ¸·ÎºÎÅÍ ÀڽŵéÀ» ¶¼¾î³õÁö ¸øÇϰí ÀÖ´Ù. ±×·¯³ª »ç¶÷µéÀº À̰ÍÀ» ¾ø¾Ö±â À§ÇØ ³ë·ÂÇØ¾ß ÇÑ´Ù.

 

Wall-shaped words (white on black ground)

Elisabeth Ries, born in 1981 in Luxembourg, Visual Communication at the University of Applied Science in Aachen.

 

 

The artist expresses the Wall typographically by a strong sentence (¡°The people are building too many walls and too little bridges.¡±) The letters are shaped like a fictive wall that still haunts people¡¯s minds. Even if the real Wall has been damaged, people are caught in their prejudices and fail to detach themselves from their preoccupations, but they should try to dispose of this.